For her first Couture collection for FENDI, Maria Grazia Chiuri places desire at the heart of her creative vision. These are not simply garments, but carefully conceived designs that restore value to the body as living matter, shaped by feelings, intentions and attitudes. The collection begins with the idea that clothing can accompany the complexity of those who wear it, acknowledging the body not as a fixed form, but as something alive and constantly in motion.

Fashion, in this context, becomes a reminder that human beings are endlessly driven by desire. The possibility of discovering or creating something new remains ever present, carrying with it the promise that it could be the most extraordinary thing of all. To this idea of desire, Chiuri adds sensuality, eroticism, freedom and pleasure, giving shape to a vision that feels instinctive, open and deeply human.

A cinematic memory of Rome

The collection evokes the image of an innocent yet sensual freedom through the figure of a young German woman moving through Rome at the end of the 1970s. This reference draws on the fashion film Histoire d’eau, Jacques de Bascher’s ironic evocation of Histoire d’O by Pauline Réage, commissioned by Karl Lagerfeld for his first FENDI ready-to-wear collection in 1977.

That cinematic memory becomes more than a historical quotation. It offers an atmosphere in which sensuality exists without malice, where elegance and freedom move together with natural ease.

Clothes that move with the body

Maria Grazia Chiuri’s Couture collection follows the body rather than attempting to shape or restrain it. Every silhouette accompanies movement, whether bold or more restrained, allowing garments to respond naturally to the rhythm of the wearer.

Lightness defines pieces such as the black-and-white striped chiffon creations, which glide gently across the body instead of restricting it. The kimono outline, applied to jackets and outerwear for both women and men, becomes an expression of fluid dressing through materials including velvet and grain de poudre. The effect is effortless, without force or rigidity.

The same approach appears in dresses that sculpt the body through draping alone, eliminating the need for a corset while maintaining a strong and defined silhouette.

The dialogue of the ateliers

Chiuri brings FENDI’s different ateliers into conversation, presenting them as living places where knowledge, craftsmanship and technical expertise meet and continue to evolve together. Within this collaborative environment, couture becomes both a magical and a scientific language, constantly reinterpreted through shared experience and experimentation.

Many of the collection’s pieces are built through subtraction. Fur is transformed into something as light as a feather, with black and white stripes held together by delicate tulle. The image is that of a Venus in fur, advancing with sensual confidence and playful spirit.

Tulle also forms the structure of cloaks and capes traced with arabesques that become leaves, feathers and flowers crafted from leather, fur and fabric. On men’s shoulders, these creations suggest blankets, shelter and even a hut, while the variety of fur can recall the delicate forms of butterflies. Leather, meanwhile, draws labyrinth-like patterns across the white surface of a double cashmere coat.

Couture as experimentation

Chiuri approaches her role with a broad creative vision that knows no boundaries. In this perspective, Couture becomes one of the most contemporary forms of experimentation in clothing, sustained by a dialogue that listens closely to the bodies and minds that inhabit it.

Her first FENDI Couture collection proposes a way of dressing founded on freedom, sensuality and collaboration, where craftsmanship and imagination meet in garments designed to move with the people who wear them.

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Paul Smith returned to Milan for Spring/Summer 2027 with a menswear collection that quietly challenged one of fashion’s longest-standing ideas: that a suit belongs only in formal settings. Presented in an intimate salon-style show, Suits in Unsuitable Situations proposed a different way of thinking about tailoring, one rooted in everyday life rather than ceremony.

Instead of treating the suit as something precious or reserved for special occasions, the collection imagined it as clothing to be worn naturally, lived in fully and shaped by experience. Marks, creases and imperfections were not presented as flaws but as part of a garment’s story, allowing each piece to develop character over time.

Personal memories become the foundation

At the heart of the collection were two memories that have stayed with Paul Smith.

One recalls his grandfather standing in the sea wearing a full suit and tie, his trouser legs rolled above the water. The other comes from Smith’s own experience in Tuscany, where he stained a white linen suit while helping a farmer harvest grapes.

Together, these moments express a distinctly British attitude to tailoring, combining elegance, practicality and humour without treating any of them as opposites. They suggest that well-made clothing should accompany real life, even when the setting appears entirely unsuitable.

Tailoring with a relaxed attitude

The collection continues the approach to tailoring that Paul Smith began developing during the 1980s, when traditional suiting was softened and made to feel less restrictive. For Spring/Summer 2027, Design Directors Helen Holmes and Sam Cotton revisit that legacy through the brand’s archive, bringing familiar ideas into a fresh context.

The styling reflects this easy confidence throughout. Turned-back cuffs, loosened ties and boldly unbuttoned shirts give tailoring an effortless quality rather than a carefully constructed finish. Layering also plays an important role, with long coats worn over shirts of matching length and knit tanks appearing beneath shirting.

Formal silhouettes are gently interrupted with playful details. Large brooches, charms and relaxed proportions prevent the collection from feeling overly polished, allowing tailoring to retain sophistication while appearing approachable and natural.

Lightweight fabrics with quiet craftsmanship

Materials reinforce the collection’s sense of ease. Scottish tropical weaves, mouliné seersucker and printed silk habutai create garments that feel light and fluid, while many pieces remain unlined to encourage comfort and develop a naturally worn-in appearance over time.

Construction is equally considered, although much of the craftsmanship reveals itself only on closer inspection. Hand-worked pad stitching, flower loops and contrasting collar meltons demonstrate careful attention without demanding immediate attention. Crisp and crushed textures are deliberately combined, creating subtle contrast across the collection.

A calm palette with playful accents

Colour follows the same understated philosophy. Soft neutrals including ecru, taupe and crisp white are balanced with darker tones, creating a calm foundation for the collection.

Against this restrained palette, brighter accents introduce moments of personality. Mint green summer knitwear, printed silk ties, lemon yellow socks and grape purple socks bring unexpected colour into tailored looks. Evening dressing also receives a quiet adjustment, with midnight navy replacing conventional black for formalwear.

Everyday objects with personal meaning

Accessories contribute another layer of character. Pewter and brass charms shaped as sailing boats, seashells and pennies introduce a sense of nostalgia, while American vintage-style large buckle belts add further personality. Functional back pockets on leather jackets demonstrate that practicality remains part of the collection’s thinking.

This appreciation for ordinary objects extended beyond the clothes themselves. Every guest discovered a hand-painted pebble placed on their seat, a simple gesture that reflected the collection’s affection for everyday memories and the quiet beauty found in familiar things.

Tailoring designed for real life

Throughout Suits in Unsuitable Situations, Paul Smith presents tailoring that feels refined without becoming distant. Soft construction, relaxed styling and carefully considered details encourage suits to move naturally through everyday situations rather than remaining reserved for formal occasions.

The collection carries a light warm-weather elegance together with the witty British sensibility that has long defined the house. It remains sophisticated while feeling highly wearable, celebrating tailoring that becomes more personal with every experience and every memory it gathers.

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The night belongs to those willing to surrender to fantasy. In the world of ELIE SAAB Haute Couture AW27, mysterious figures emerge from the shadows, their masked faces catching the glow of lamplight before slipping quietly back into darkness. Every glittering turn reveals another astonishing transformation, as reality loosens its grip and imagination takes centre stage.

This is a collection built around the allure of metamorphosis. Bold spirits and brilliant personalities gather beneath an enchanted sky, embracing their most theatrical dreams in a setting where nothing remains fixed for long. Every silhouette, every fabric, every detail carries the promise of becoming something unexpected.

The magic begins with couture that seems to defy its own materiality. A sheer sweep of opaline organza, scattered with pearls, evokes the drifting softness of a Magritte cloud, suspended between dream and sky. Elsewhere, a sensuous fishtail silhouette in vibrant magenta silk unfurls like a Dali rose, turning the body itself into a work of surrealist art. These are garments that move beyond decoration, inviting the imagination to see something entirely new with every glance.

Colour itself refuses to stand still. As each look catches the light, mercurial tones shift almost imperceptibly. Lilac melts into silver, while deep blue softens into blush, creating a wardrobe that appears to change with every movement. The effect is both elusive and captivating, lending the collection an air of constant transformation that echoes the dreamlike atmosphere surrounding it.

That sense of fluidity extends into the construction of the garments. Fabrics are draped, twisted and sculpted into organic forms, allowing couture to take on a life of its own. The collection’s muses become calla lilies, twilit skies and midnight swans, their silhouettes shaped by nature and imagination in equal measure. Each look suggests a different identity waiting just beneath the surface, ready to emerge as the evening unfolds.

Freed from the certainties of daylight, the collection celebrates hidden dimensions of personality. Within this enchanted setting, every guest is invited to embrace the many versions of themselves that exist beyond the ordinary. The silhouettes move effortlessly between softness and authority, offering a wardrobe that is as ethereal as it is commanding.

Flowing goddess gowns in delicate pastel shades embody the timeless elegance that has become synonymous with ELIE SAAB. Their graceful movement contrasts with the dramatic presence of wine-red velvet ballgowns and sculptural black winged columns, each expressing a fierce and unmistakable strength. Together, they create a dialogue between delicacy and power without ever sacrificing refinement.

Powerful femininity runs through every chapter of the collection. Embellished corsets define the body with confidence, while dramatic trains extend each silhouette into sweeping gestures of theatrical elegance. Alongside them, sharply tailored tuxedos designed for both women and men reinforce the collection’s liminal spirit, blurring familiar distinctions while embracing the freedom found between convention and fantasy.

Accessories become essential players in this extraordinary spectacle. Intricately sculpted headpieces rise like wearable sculptures, while otherworldly masks conceal and reveal in equal measure. Paired with complementary looks, they transform each wearer into a living work of art, completing the illusion that couture has stepped beyond the runway and into an enchanted masquerade.

As the evening reaches its most dazzling moment, the bride appears. Her entrance brings the dream to its luminous conclusion. A bodice shaped in a curve of molten iridescence catches every flicker of light, while shimmering skirts layered in champagne, crystal and pale gold seem almost weightless as they move. She radiates mystery as much as brilliance, embodying the collection’s fascination with beauty that cannot be fully explained.

ELIE SAAB Haute Couture AW27 unfolds like a sequence of breathtaking illusions, each look dissolving seamlessly into the next. Throughout the collection, enigmatic glamour reigns, and couture exists in the captivating space where reality and fantasy become impossible to separate. It is an invitation to enter a world where dreams remain untamed, transformation never ends, and elegance reveals its most mysterious form.

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Michael Rider’s vision for the CELINE Man Spring Summer 2027 collection unfolds less like a conventional fashion statement and more like a collection of personal reflections. Rather than offering a detailed manifesto, the season is built from emotions, instincts and fragments of thought that together sketch an attitude toward dressing and living. It is a wardrobe shaped by confidence without display, practicality without compromise, and individuality that never asks for permission.

A balance between softness and strength

At the heart of the collection lies a simple but compelling duality: being tough and tender, soft and strong at the same time. Those opposing qualities are not presented as contradictions but as parts of the same character. Strength is quiet rather than loud, while softness carries its own certainty.

That spirit runs throughout Rider’s notes, suggesting clothing that reflects personality instead of overpowering it. The emphasis is on authenticity, allowing confidence to emerge naturally rather than through spectacle.

Dressing with intention

Packing light becomes more than a practical idea. It reflects a way of choosing fewer things, provided they are the right ones. The collection embraces the idea of making do with a few great things, celebrating garments that earn their place through lasting appeal rather than excess.

Customisation also plays an important role. Enjoyment comes not only from creating clothes in the studio, but from genuinely wanting to wear them. The people behind the collection remain closely connected to the pieces they make, giving the work an unmistakably personal quality.

Style without self-consciousness

Panache appears almost accidentally. It belongs to people who possess it without being aware of it. That effortless confidence sits alongside sincerity, allowing style to emerge from instinct instead of calculation.

The collection also explores the relationship between authenticity and dressing up, between manners and practicality, and even between those ideas and their opposites. These contrasts are never forced into neat conclusions. Instead, they suggest that personal style can comfortably contain many different sides at once.

Music, movement and possibility

Music occupies an emotional space throughout the collection. It is not simply something to hear, but something to feel. Listening becomes an act of openness, inviting new experiences and new perspectives.

That openness extends to movement itself. Rider imagines worlds opening rather than closing, whether those worlds are vast or intimate. The collection embraces possibility, encouraging curiosity and the freedom to move forward without abandoning what already matters.

Returning to what matters

There is a quiet appreciation for objects with history. Heirlooms sit comfortably alongside well-loved shirts that carry memories of good times, creating a wardrobe that values emotional connection as much as appearance.

The collection also encourages taking the time to return to familiar places, familiar ideas and familiar garments. Summer becomes an opportunity both to discover somewhere new and to revisit destinations that have shaped a lifetime. In either case, the experience is enriched by spending as much time outside as possible, allowing moments to unfold naturally.

Gut, guts and the courage to take risks

Some of the collection’s strongest themes arrive as single words: gut, guts, risk, style and sincerity. Together they suggest a philosophy rooted in instinct. Decisions are guided by feeling as much as reason, while creativity grows from the willingness to take chances.

Free-styling captures that spirit perfectly. It encourages personal expression without rigid rules, trusting individual judgement over fixed formulas.

Building something with roots

The closing notes point toward optimism. Letting loose is not about abandoning direction but about creating space for ideas to grow. Every small step contributes to something larger, something that has both momentum and permanence.

For CELINE Man Spring Summer 2027, Michael Rider offers a meditation on character as much as clothing. The collection values honesty over performance, confidence over noise and personal style over passing impressions. It is a reminder that the strongest wardrobes are often built from conviction, curiosity and a handful of truly meaningful pieces.

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Precision, focus and responsiveness define the Prada Men’s Spring/Summer 2027 collection by Miuccia Prada and Raf Simons. Built around the idea of choice and conscious decision-making, the collection directs its attention towards distillation rather than simplification, seeking what is essential, intentional and meaningful.

A new perspective on universal garments

Clothing, presented as a universal and enduring part of everyday life, is reconsidered through a different perspective. Rematerialisation and repetition have the power to radically reclassify familiar garment categories, changing the way they are perceived, reshaping their systems of value and, in turn, revealing their latent meanings.

The silhouette is precise and highly controlled, refined, linear and consistent throughout the collection.

Reconsidering the everyday wardrobe

Within this context, the specific language of garments such as jeans, denim jackets and T-shirts, defined by their pragmatic simplicity, is completely reassessed. Free from unnecessary details and exaggeration, the collection presents itself as a foundation for endless possibilities and reinterpretations.

Accessories are reduced to their essential form so they become part of a unified whole, integrating naturally into the overall structure. At the same time, archetypal models of clothing are reworked and reconsidered. Designed to endure over time, these garments resist simple classification according to either function or era.

Clarity through rejection

Rejection can be a deliberate act, an antidote to complexity and a means of definition, becoming a genuine exercise in clarity. Here, the idea of something new is understood as rupture, expressed through a recalibration of perception and an altered encounter with something already latent.

Focus, therefore, is not treated as simplification but as an intensification of attention, a deliberate act of concentration. In this collection, fashion emerges from precise instincts, authorship and conviction.

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From its earliest days, Saint Laurent has been defined by a purity of line, silhouettes that seem to have been sketched with only a few pencil strokes. That spirit remains at the heart of Anthony Vaccarello’s collection, which returns to the house’s founding idea of simplicity through garments stripped of unnecessary detail.

Here, decoration gives way to construction. Fabrics and precise tailoring shape each piece, with forms and volumes emerging from cut and technique rather than ornament or padding. The collection moves with clarity, its silhouettes reduced to their essence.

Ample stone-washed skirts paired with leather blousons introduce an intriguing ambiguity, while a concise colour palette brings depth to the collection’s clean lines. Saturated interpretations of Saint Laurent’s signature shades reinforce the sense of precision that runs throughout.

Texture becomes an area of experimentation. Stretch fabrics meet guipure, couture textiles are distressed, and cigaline silk printed with the house’s iconic animal and floral motifs is submerged in silicone, creating a technical finish that feels entirely new.

The collection’s minimalism is balanced by carefully considered accessories. Pointed shoes are adorned with a satin square rose, while jewellery is crafted from rock crystal, the lucky stone favoured by Yves Saint Laurent.

The setting extends this mineral world. A grand oval of onyx anchors the presentation, while luminous walls evoke both impenetrability and hidden depth. Their rich patterns become a reflection of human complexity and reinforce the collection’s otherworldly atmosphere.

Summer 2027 menswear and the luxury of absence

“Nobody is trying to seduce you. What makes them seductive is that they do not need to.”

That idea forms the starting point for Anthony Vaccarello’s Summer 2027 men’s collection, a meditation on the constant desire for more drama, more noise and more attention, and on what happens when that impulse is deliberately refused.

Across forty looks, restraint becomes an act of seduction. Absence itself is treated as a form of luxury. Saint Laurent tailoring proposes a new sense of discernment through a three-button jacket cut higher on the body and paired with narrow flat-fronted or softly pleated trousers.

Familiar garments are revisited through proportion and precision. The waistcoat and the ribbed V-neck sweater acquire renewed presence, while athletic blousons are rendered unexpectedly delicate in technical taffeta. Shoes are sculpted, sheer and polished to a high gloss.

Gold emerges as a central gesture throughout the collection. It is not presented as an overt sign of luxury but as a way of transforming the utilitarian trench into something extraordinary while remaining practical.

The palette remains grounded in grey, brown, black and beige, interrupted by flashes of orange, ochre, claret, lime, powder blue and shimmering gold.

Figures who inspired the collection

Throughout the collection, Vaccarello looked to figures who turned restraint into a form of expression. Writer Marguerite Duras found meaning in what remained unsaid. Tina Chow embraced reduction rather than excess through her legendary style. And the fictional figure of Tom Ripley concealed a far more complicated interior life beneath an outward calm.

Summer 2027 is not simply a rejection of stylistic excess. It also rejects the urge to always know, always speak and always see, returning instead to the pleasures of the unknown, the unseen and the unspoken.

An immersive landscape of fog

The idea of absence extends into the presentation itself. Models move through Cloud #07156, the immersive fog installation created by Fujiko Nakaya, in a choreographed performance lasting sixteen minutes.

Emerging, disappearing and reappearing within a luminous landscape of mist, they become part of the work itself. The installation is not a backdrop but an active participant in the collection’s narrative, another expression of absence, presence and desire.

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For Dior Men Spring/Summer 2027, Jonathan Anderson presented his most complete expression of the world he has been building at the house: one where aristocratic refinement and the energy of youth culture meet somewhere between the end of a party and the start of a new day.

The collection unfolded as a study in contrasts. Decorative arts inspired by the eighteenth century and historical tailoring, both closely tied to Christian Dior’s own fascinations and the setting of the Musée Nissim de Camondo, collided with references to rave culture, late-night dressing and the spontaneous way young people mix formal and casual clothes.

Anderson’s imagined character felt like a collision between Eton tradition and after-hours excess. The result was a wardrobe for the “disheveled aristocrat”, a figure that has become central to his Dior narrative.

Tailoring that comes undone

The designer continued the idea introduced in his debut collection, though this season it appeared looser, easier and more wearable. Tailoring became softer and more relaxed through baggy “Bobby” suits inspired by a vintage Marc Bohan design, roomy double-breasted jackets, loose tuxedos and wider trousers.

Transparency also played a role. Silk chiffon pieces printed with pinstripes and houndstooth patterns brought an unexpected sense of lightness to traditional tailoring. Frock coats, dressing gowns and pajama suits merged with trenches and bombers, creating garments that sat between history and modern dressing.

There was a deliberate sense of imperfection throughout. Crooked bow ties, trailing dressing gowns, frayed hems, ripped edges and laddered knits gave the clothes the feeling of having lived through a long night. Yet the elegance of Dior remained intact.

The glamour of the morning after

The colour palette balanced classic neutrals with flashes of celebration. Navy, beige, black, chocolate brown and soft wool shades formed the foundation, while silver and gold sequins, metallic surfaces, stone-washed pinks and embroidered bright tones brought moments of glamour.

The collection also played with texture in a particularly rich way. Distressed denim appeared alongside lavish embroidery, while sheer printed chiffons met heavy knits and outerwear. Suede parkas and shearling-lined blazers suggested comfort and warmth, almost like wrapping oneself in a blanket after dawn.

Sequined polka dots, crinkled checks, fringed jackets, metallic fabrics and touches of shimmering python reinforced the collection’s dialogue between luxury and spontaneity.

Heritage meets rave culture

One of the collection’s strongest ideas was the meeting of Dior’s heritage with the language of nightlife. Sequined jeans and trousers, disco-ball boots and metallic party pieces suggested a wardrobe for a perpetual celebration, what could be called a party-boy uniform.

Historical garments were given a contemporary attitude through pajama details and distressed finishes, while tailoring appeared both polished and undone. The collection also seemed designed with a broader audience in mind, offering strong outerwear, knitwear and versatile separates that could move easily between seasons and different ways of dressing.

At the same time, the collection opened a wider conversation within Dior, sharing techniques and ideas with the women’s collections while continuing to build new house codes rooted in both formality and partying.

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The wave is the great equaliser. On coasts around the world, the same impulse draws people towards the tide, towards the monumental force of water and the rebalancing rhythm of the ride. Guided by surfing as a way of life that transcends culture and creed, the Louis Vuitton Men’s Spring-Summer 2027 Collection embraces the sea and the shore as places of universal belonging.

Water runs through the show as a symbol of life, opportunity and a connection to nature. As the moon, the maker of waves, appears in the Parisian evening sky, the collection rises from a great wave that speaks to the sense of equilibrium shared by the surfing community and the world it moves through.

The surfer and the dandy

Shaped by the coast and the ocean, the surfer’s dress codes are rooted in travel, performance and craft. Drawing a parallel between these values and those of the dandy that sits at the heart of the House, Men’s Creative Director Pharrell Williams reinforces his signature silhouette of unconventional elegance and easy sophistication.

The collection is infused with hand-spun textures, embellishments inspired by the sea and the bohemian spirit of surf culture. Through the savoir-faire of Louis Vuitton, heritage and durability become a technical expression of tailoring created for a globetrotting dandy suspended between the city and the surf.

Textures shaped by the sea

Technical wetsuits enter into dialogue with tailoring fabrics infused with performance. The archetypes and materials of the surfer’s everyday wardrobe, with their weathered, timeworn and repaired appearance, are transformed through the artisanal alchemy of Louis Vuitton.

Through Pharrell Williams’ continuing exploration of trompe l’oeil, familiar textures, shapes and wardrobe staples are elevated through craftsmanship to create optical illusions revealed by touch. Symbols of the sea are brought to life through painstaking handwork, while graphics inspired by surf culture, from acid colours to chequerboard motifs, also pay tribute to skateboarding, a lasting influence on the Men’s Creative Director.

A world of waves

Parked among the dunes of the show, a silver camper is reimagined through the fluid and future-facing design language of Pharrell Williams. Like a drop held within the natural landscape, the glass habitat places the surfer in direct contact with the elements that shape a nomadic life guided by waves.

A cinematic prelude stars surfers Mikey February and Julian Wilson, while guests in Paris are greeted by the roar of the great wave. The musical crash of falling water meets an epic soundtrack of new productions recorded in Pharrell Williams’ Louis Vuitton studio alongside the creation of the collection.

The show unfolds as a hyper-sensorial staging that is distinct to the Louis Vuitton Men’s universe: the dandy experience.

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Balmain Fall-Winter 2026 sees Antonin Tron reinterpret the house archives through sensual tailoring, craftsmanship and modern glamour.

Returning to the foundations of the house

Every house is built on foundations, and for Balmain’s new Creative Director Antonin Tron, those foundations lie in 1945, when Pierre Balmain established his maison in Paris during a period of profound social and cultural transformation. Looking to the origins of Balmain is not an exercise in nostalgia, but rather an exploration of how the archives can speak to the present. For Tron, the house has always celebrated a body-enhancing and architectural vision of the female form, one that reflected a new world for women defined by dynamism, sensuality, and a restrained form of modern opulence.

Reinterpreting Balmain’s defining codes

For Fall-Winter 2026, Tron revisits several key moments in the house’s history, placing his own perspective on the near-provocative eroticism of Spring 1946 and the draping techniques of Spring 1953. Central to the collection is Balmain’s iconic pilot jacket, whose emancipatory tailoring becomes an aerodynamic leitmotif throughout the season.

The collection also draws inspiration from Pierre Balmain’s celebrated use of animal prints. Rather than reproducing them directly, Tron reimagines tiger, leopard, and crocodile motifs, as well as feathers, through intricate hand embroidery, airy organzas, and supple leathers, creating a dialogue between heritage and contemporary expression.

A lighter vision of glamour

With his first collection for the house, Tron introduces a vision grounded in corporeal dynamism and a more pragmatic approach to glamour. The silhouettes are conceived to feel lighter, freer, and easier to move in, while still honouring Balmain’s haute couture origins.

Artisanal craftsmanship plays a central role, with new interpretations of luxurious fabrics designed to feel sumptuous without becoming overwhelming. Satin, velvet, shearling, jacquard cloque, leather, and lace appear in a nocturnal colour palette dominated by black tones, alongside shades of purple and green that evoke a sense of natural richness.

Tactility, practicality and sensuality

The collection’s accessories extend these ideas of texture and functionality. Tron’s new bags explore tactility and practicality while maintaining an undercurrent of sensuality. The Sphynx combines softness with an hourglass silhouette, while the hand-held Dinner at 8 clutch takes inspiration from Tron’s surfing kit, transforming a utilitarian concept into an object designed to be touched and experienced.

The strength of sensuality

A defining aspect of the collection is the interplay between construction and fluidity. Structured elements are made lighter, while draping becomes more fluid, reinforcing the dialogue between strength and sensuality.

Tron draws inspiration from the strong-shouldered elegance and prowling sexuality of the heroines of 1940s film noir, as well as from their counterparts in the neo-noir cinema of the 1980s. This cinematic sensibility informs both the mood and the attitude of the collection, where sensuality becomes a form of strength and strength acquires a sensual dimension.

A cinematic setting for a new chapter

The show’s setting reflects the same cinematic vision. Designed by Berlin-based architect Andrea Faraguna, recently awarded a Golden Lion at the Venice Architecture Biennale, the scenography evolves from a nocturnal landscape into a light-filled atmosphere.

The transition symbolically ushers in a new era for Balmain, introducing Antonin Tron’s vision while remaining firmly connected to the foundations upon which the house was built.

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Skin is the membrane that connects us to the world, a sentient surface that stretches across the entire body, shaping and dressing it. It is the way we touch and are touched, the first instrument through which human experience is transformed into knowledge. Beneath the skin, symbolically, rest our most intimate thoughts and passions. Upon the skin, materially, we construct our appearance, creating a livery or a second skin through what we choose to wear, while adding further layers through the spaces we inhabit and the worlds we build. These liveries define and protect, much like the surface of a vehicle or a marker of identity. At the foundation of everything remains feeling, and it begins with the skin, where it is at its deepest.

A reflection transformed into fashion

The Ferrari FW 26 Runway Collection emerges from this reflection. Continuing a pursuit of an essential and concise signature, and arriving at the precise milestone of the tenth show, creative director Rocco Iannone explores a dimension shaped by empathy, connection, and plurality. Bodies are dressed through garments conceived as ideal second skins, transforming nudity into coverage while encouraging posture, presence, and attitude.

Materials that follow the body

Materials and forms evolve from the weightless lightness of lingerie and the draping of underpinning elements to the soft muscularity of padded duchesse, ultimately reaching the robustness of substantial leather. Between these expressions lie the clean precision of tailoring wools and the fluid movement of cupro. Every material contributes to a dialogue between garment and body, reinforcing the collection’s exploration of physicality and sensation.

The lines closely follow the body, magnifying and empowering its form. Rhythmic knit patterns imitate scarifications, creating surfaces defined by fullness and absence. This vision is supported by a palette that explores tones and multiple nuances of nude, bringing cohesion to a long and vertical silhouette.

Expanding the perimeter of the body

Throughout the collection, every element is conceived to extend the body’s perimeter, forging a direct connection between clothing and physical presence. The design of the heels wedges itself into the natural curve of the heel, while soft bags are held in place through piercings. These details reinforce the relationship between the body and the objects that accompany it, creating a continuous dialogue between form and function.

An environment of wellbeing and transformation

The collection’s vision comes to life within an enveloping environment suspended in a dimension of physical and mental wellbeing. Water becomes a central presence, acting as a connector between self-care and the possibility of change. As a fluid element, it unites the self with others and embodies transformation, reinforcing the collection’s exploration of connection and evolution.

The possibility of many skins

At its core, the Ferrari FW 26 Runway Collection is a search for a plural dimension. It proposes the possibility for those who embody the Ferrari ethos to choose not one, but many skins to be in. Through empathy, connection, and the relationship between body and garment, the collection presents a vision in which identity is not singular but multiple, expressed through the layers we wear and the forms through which we experience the world.

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